Thresholds
A mythic world of beauty, wonder, and mystery. Each piece acts as a doorway into an unfinished story.
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Thresholds lingers in the half-light, the place between what is known and what is felt. Figures, objects, and sculpted forms emerge through mist and shadow, not to reveal themselves, but to suggest something mysterious.
Trained in 19th-century classical technique, I use the discipline of realism to approach something more elusive: the moment when beauty turns contemplative, and the ordinary begins to feel divine. Through atmosphere, shadow, and the slow unfolding of light, these works trace emotional thresholds, places where certainty gives way to wonder.
Whether the subject is a human figure, a fragment of sculpture, or a still life caught in luminous stillness, each piece asks the same question: what lies just beyond what we can see?
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Jennifer Marie Keller works in the classical tradition, weaving myth, mystery, and symbolism into luminous scenes. Her studio is in Wilmington, NC.
She trained and taught at The Ravenswood Atelier which is based off of the Florence Academy. She holds a BFA, studied art history in Italy, and was studio assistant to portrait painter Leslie Adams.
Keller’s work has been in museums and galleries across the United States, including the Fort Wayne Museum of Art, Triton Museum in San Jose, and Studio Gallery in San Francisco. She has exhibited in shows like the Art Renewal Center’s Salon and Odd Nerdrum’s World Wide Kitsch.
Recent honors include Best in Show at the Leland Art Association’s All Art Exhibition and a scholarship from the Art Renewal Center.
Her work has been shown in media and publications such as Poets and Artists magazine and used for Nitram Charcoal’s commercials and advertisements. She is a member of Oil Painters Of America. In addition, Keller reaches over 10,000 subscribers through her YouTube channel, offering collectors a window into her creative process and deepening their connection to her work.
Her paintings are held in private collections internationally.
"Sleeper" charcoal and chalk on paper, 11x14 inch
"They Traded Pieces Of Themselves To Eat In The Orchard" oil on linen, 72x48 inches.
"Icarus Study" charcoal and chalk on paper, 14 inch
"Sleeper no. 4" pen and ink on paper, 7x5 inch
"The Mask" oil on linen, 15x13 inch
"Sleeper no. 3" pen and ink on paper, 7x5 inch
"The Sleeper And The Witness" pen and ink on paper, 8x8 inch
"I'm Like Icarus But I Know How To Swim" oil on linen, 60x48 inch
"Heavy Is The Head That Wears The Crown" pen, ink, and gold leaf on paper, 6x7 inch
"Bather" pen and ink on paper, 8x8 inch
"Bird Offering Feather Study" oil on linen, 34x20
In the studio
Driven by Curiosity. Join me in my studio and see how the art unfolds.
This is a borderless fine art giclee print on thick photo rag baryta paper.
This painting is about realizations and hope.
Icarus was given wings and warned not to soar too high or too low. He ignored the warning, flew too close to the sun, which inturn melted his wings, and he fell into the sea and drowned.
In my painting the woman has either flown too high or too low which has broken her wings causing her to fall into the sea. Unlike Icarus she knows how to swim. The woman is treading water and will be able to swim back to solid ground, and if she chooses to, will fly again.
Looking at this painting makes me feel so differently depending on what I’m going through that day. What does it mean to fly too high or too low? And what does it mean to swim?
Please allow 1-2 weeks for my local print shop to create your print. Each print is made to order.
Check out my Framing Guide
The Print Shop
This is a limited edition fine art giclee print on thick photo rag baryta paper. The medium and large size come with a 2 inch white border, while the 11x14 size has a white border in proportion to the paper size and cherub painting.
I was inspired by classical sculptures that seem to hold mystery and peace. This is a very serene painting but I always wonder what is written on the cherubs’ scrolls.
The sculpture looks as if it was buried in ruins, like a forgotten secret that has been rediscovered. Notice the chipped and peeling paint at the top and bottom.
This painting will give an interesting sophisticated feel to any room.
Please allow 1-2 weeks for my local print shop to create your print. Each print is made to order.
Check out my Framing Guide
This is a borderless fine art giclee print on thick photo rag baryta paper.
I want it to feel like you are remembering.
Maybe you are remembering a past self. As we grow we change and try on different personalities like trying on different masks, until we find ourselves: the person we can be without needing a mask. You still keep the old mask, surround it with flowers, as you honor your past.
When I look at this painting I let myself think about how far I have come.
Please allow 1-2 weeks for my local print shop to create your print. Each print is made to order.
Check out my Framing Guide